Discover more from Darcy Moore
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“What makes one man’s work better than another is his honesty.” Lee Miller “Of course he shot a fucking elephant. He said he did. Why do you always doubt his fucking word!” Sonia Orwell While researching George Orwell’s years in Paris, as a struggling writer and then a war correspondent, it occurred to me that […]
Sotheby’s recently auctioned a portrait of Charles Blair (1743-1802) by Sir Joshua Reynolds. This is the second time the painting has changed hands during the 21st century. In 2008, it sold for US$182,500 and the new owner has just forked out US$230,400 for this 18th century portrait of George Orwell’s great-great-grandfather. The catalogue included the […]
“The performance lasted only half an hour, but we spent hours in preparation, finding props, constructing the scenery etc., all of which [Orwell] supervised closely. It was ambitious. He arranged for plywood doors on either side to have saw cuts made in them so that Cromwell’s men could break them open with their pikes. It […]
Eric Arthur Blair, better known as George Orwell, the author of Nineteen Eighty-Four and Animal Farm, always described himself as coming from an Anglo-Indian family. Reading the recent post about Mussoorie’s Camel’s Back Cemetery at the British Association for Cemeteries in South Asia website led me to reflect on some sad tales from my own […]
Why I Write is one of Orwell’s most widely-read, quoted and anthologised essays. It was published during the summer of 1946 in the fourth and final issue of Gangrel. What can we learn from examining the “pamphlet” where it first appeared besides that the title is a Scots word (from Anglo-Saxon) meaning “tramp”? When George […]
“But the thread that runs through all of Orwell’s writing is his obsession with getting to the truth. If it meant trashing friendships or jeopardising his own success, so be it. In the political magazine Tribune, he wrote in 1944 that ‘almost nobody seems to feel that an opponent deserves a fair hearing or that […]